By Los Lobos as sung by Dániel Torres who came in 4th place in 2005 on the "Hungarian Idol" program Megasztár. I'm putting this up because it's been in my head and little cp likes the song. I was going to put up the opening scene from Desperado, but it was too sexy.
Soy un hombre muy honrado, Que me gusta lo mejor Las mujeres no me faltan, Ni el dinero, ni el amor
Jineteando en mi caballo Por la sierra yo me voy Las estrellas y la luna Ellas me dicen donde voy
[Chorus] Ay, ay, ay, ay Ay, ay mi amor Ay mi morena, De mi corazón
Me gusta tocar guitarra Me gusta cantar el sol Mariachi me acompaña Cuando canto mi canción
Me gustan tomar mis copas Aguardiente es lo mejor Tambien el tequila blanco Con su sal le da sabor
[Chorus]
Me gusta tocar guitarra Me gusta cantar el sol Mariachi me acompaña Cuando canto mi canción
Me gustan tomar mis copas Aguardiente es lo mejor Tambien el tequila blanco Con su sal le da sabor
The state of regulations today. Hmmm...I wonder what the Godzilla monster represents? And what happens after Godzilla fills out the paperwork? I bet he'll get clearance. Also, I bet he forgot to do an HRIA and they'll have to do a post-impact.
p.s. This and the previous comic (and this one) are from a comic called Rubes by this guy.
That's funny for so many reasons! Not only does it highlight spurious criticisms of the fossil record and makes a commentary on social values but it juxtaposes paleontology with historic archaeology (historic paleontology?). Heehee! p.s. the hats are a dead giveaway for academics
You are wonderful! In honour of this occasion, I reproduce here the 2008 Harvard commencement speech given by J.K. Rowling. What a moving and inspiring piece of oratory, those dissenting few who felt they could have done "better" obviously weren't listening (they wouldn't have gotten anything from the speech anyway). To you cp I say: be good, grow and learn, be adventurous, be happy. All you have to be is you.
The Fringe Benefits of Failure, and the Importance of Imagination by J.K. Rowling 2008 Harvard University Commencement, June 5, 2008. Copyright of J.K. Rowling, June 2008.
President Faust, members of the Harvard Corporation and the Board of Overseers, members of the faculty, proud parents, and, above all, graduates,
The first thing I would like to say is 'thank you.' Not only has Harvard given me an extraordinary honor, but the weeks of fear and nausea I've experienced at the thought of giving this commencement address have made me lose weight. A win-win situation! Now all I have to do is take deep breaths, squint at the red banners and fool myself into believing I am at the world's best-educated Harry Potter convention.
Delivering a commencement address is a great responsibility; or so I thought until I cast my mind back to my own graduation. The commencement speaker that day was the distinguished British philosopher Baroness Mary Warnock. Reflecting on her speech has helped me enormously in writing this one, because it turns out that I can't remember a single word she said. This liberating discovery enables me to proceed without any fear that I might inadvertently influence you to abandon promising careers in business, law or politics for the giddy delights of becoming a gay wizard.
You see? If all you remember in years to come is the 'gay wizard' joke, I've still come out ahead of Baroness Mary Warnock. Achievable goals: the first step towards personal improvement.
Actually, I have wracked my mind and heart for what I ought to say to you today. I have asked myself what I wish I had known at my own graduation, and what important lessons I have learned in the 21 years that has expired between that day and this.
I have come up with two answers. On this wonderful day when we are gathered together to celebrate your academic success, I have decided to talk to you about the benefits of failure. And as you stand on the threshold of what is sometimes called 'real life', I want to extol the crucial importance of imagination.
These might seem quixotic or paradoxical choices, but please bear with me.
Looking back at the 21-year-old that I was at graduation, is a slightly uncomfortable experience for the 42-year-old that she has become. Half my lifetime ago, I was striking an uneasy balance between the ambition I had for myself, and what those closest to me expected of me.
I was convinced that the only thing I wanted to do, ever, was to write novels. However, my parents, both of whom came from impoverished backgrounds and neither of whom had been to college, took the view that my overactive imagination was an amusing personal quirk that could never pay a mortgage, or secure a pension.
They had hoped that I would take a vocational degree; I wanted to study English Literature. A compromise was reached that in retrospect satisfied nobody, and I went up to study Modern Languages. Hardly had my parents' car rounded the corner at the end of the road than I ditched German and scuttled off down the Classics corridor.
I cannot remember telling my parents that I was studying Classics; they might well have found out for the first time on graduation day. Of all subjects on this planet, I think they would have been hard put to name one less useful than Greek mythology when it came to securing the keys to an executive bathroom.
I would like to make it clear, in parenthesis, that I do not blame my parents for their point of view. There is an expiry date on blaming your parents for steering you in the wrong direction; the moment you are old enough to take the wheel, responsibility lies with you. What is more, I cannot criticize my parents for hoping that I would never experience poverty. They had been poor themselves, and I have since been poor, and I quite agree with them that it is not an ennobling experience. Poverty entails fear, and stress, and sometimes depression; it means a thousand petty humiliations and hardships. Climbing out of poverty by your own efforts, that is indeed something on which to pride yourself, but poverty itself is romanticized only by fools.
What I feared most for myself at your age was not poverty, but failure.
At your age, in spite of a distinct lack of motivation at university, where I had spent far too long in the coffee bar writing stories, and far too little time at lectures, I had a knack for passing examinations, and that, for years, had been the measure of success in my life and that of my peers.
I am not dull enough to suppose that because you are young, gifted and well-educated, you have never known hardship or heartbreak. Talent and intelligence never yet inoculated anyone against the caprice of the Fates, and I do not for a moment suppose that everyone here has enjoyed an existence of unruffled privilege and contentment.
However, the fact that you are graduating from Harvard suggests that you are not very well-acquainted with failure. You might be driven by a fear of failure quite as much as a desire for success. Indeed, your conception of failure might not be too far from the average person's idea of success, so high have you already flown academically.
Ultimately, we all have to decide for ourselves what constitutes failure, but the world is quite eager to give you a set of criteria if you let it. So I think it fair to say that by any conventional measure, a mere seven years after my graduation day, I had failed on an epic scale. An exceptionally short-lived marriage had imploded, and I was jobless, a lone parent, and as poor as it is possible to be in modern Britain, without being homeless. The fears my parents had had for me, and that I had had for myself, had both come to pass, and by every usual standard, I was the biggest failure I knew.
Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality.
So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had already been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.
You might never fail on the scale I did, but some failure in life is inevitable. It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.
Failure gave me an inner security that I had never attained by passing examinations. Failure taught me things about myself that I could have learned no other way. I discovered that I had a strong will, and more discipline than I had suspected; I also found out that I had friends whose value was truly above rubies.
The knowledge that you have emerged wiser and stronger from setbacks means that you are, ever after, secure in your ability to survive. You will never truly know yourself, or the strength of your relationships, until both have been tested by adversity. Such knowledge is a true gift, for all that it is painfully won, and it has been worth more to me than any qualification I ever earned.
Given a time machine or a Time Turner, I would tell my 21-year-old self that personal happiness lies in knowing that life is not a check-list of acquisition or achievement. Your qualifications, your CV, are not your life, though you will meet many people of my age and older who confuse the two. Life is difficult, and complicated, and beyond anyone's total control, and the humility to know that will enable you to survive its vicissitudes.
You might think that I chose my second theme, the importance of imagination, because of the part it played in rebuilding my life, but that is not wholly so. Though I will defend the value of bedtime stories to my last gasp, I have learned to value imagination in a much broader sense. Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathize with humans whose experiences we have never shared.
One of the greatest formative experiences of my life preceded Harry Potter, though it informed much of what I subsequently wrote in those books. This revelation came in the form of one of my earliest day jobs. Though I was sloping off to write stories during my lunch hours, I paid the rent in my early 20s by working in the research department at Amnesty International's headquarters in London.
There in my little office I read hastily scribbled letters smuggled out of totalitarian regimes by men and women who were risking imprisonment to inform the outside world of what was happening to them. I saw photographs of those who had disappeared without trace, sent to Amnesty by their desperate families and friends. I read the testimony of torture victims and saw pictures of their injuries. I opened handwritten, eye-witness accounts of summary trials and executions, of kidnappings and rapes.
Many of my co-workers were ex-political prisoners, people who had been displaced from their homes, or fled into exile, because they had the temerity to think independently of their government. Visitors to our office included those who had come to give information, or to try and find out what had happened to those they had been forced to leave behind.
I shall never forget the African torture victim, a young man no older than I was at the time, who had become mentally ill after all he had endured in his homeland. He trembled uncontrollably as he spoke into a video camera about the brutality inflicted upon him. He was a foot taller than I was, and seemed as fragile as a child. I was given the job of escorting him to the Underground Station afterwards, and this man whose life had been shattered by cruelty took my hand with exquisite courtesy, and wished me future happiness.
And as long as I live I shall remember walking along an empty corridor and suddenly hearing, from behind a closed door, a scream of pain and horror such as I have never heard since. The door opened, and the researcher poked out her head and told me to run and make a hot drink for the young man sitting with her. She had just given him the news that in retaliation for his own outspokenness against his country's regime, his mother had been seized and executed.
Every day of my working week in my early 20s I was reminded how incredibly fortunate I was, to live in a country with a democratically elected government, where legal representation and a public trial were the rights of everyone.
Every day, I saw more evidence about the evils humankind will inflict on their fellow humans, to gain or maintain power. I began to have nightmares, literal nightmares, about some of the things I saw, heard and read.
And yet I also learned more about human goodness at Amnesty International than I had ever known before.
Amnesty mobilizes thousands of people who have never been tortured or imprisoned for their beliefs to act on behalf of those who have. The power of human empathy, leading to collective action, saves lives, and frees prisoners. Ordinary people, whose personal well-being and security are assured, join together in huge numbers to save people they do not know, and will never meet. My small participation in that process was one of the most humbling and inspiring experiences of my life.
Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people's minds, imagine themselves into other people's places.
Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathize.
And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.
I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces can lead to a form of mental agoraphobia, and that brings its own terrors. I think the willfully unimaginative see more monsters. They are often more afraid.
What is more, those who choose not to empathize may enable real monsters. For without ever committing an act of outright evil ourselves, we collude with it, through our own apathy.
One of the many things I learned at the end of that Classics corridor down which I ventured at the age of 18, in search of something I could not then define, was this, written by the Greek author Plutarch: What we achieve inwardly will change outer reality.
That is an astonishing statement and yet proven a thousand times every day of our lives. It expresses, in part, our inescapable connection with the outside world, the fact that we touch other people's lives simply by existing.
But how much more are you, Harvard graduates of 2008, likely to touch other people's lives? Your intelligence, your capacity for hard work, the education you have earned and received, give you unique status, and unique responsibilities. Even your nationality sets you apart. The great majority of you belong to the world's only remaining superpower. The way you vote, the way you live, the way you protest, the pressure you bring to bear on your government, has an impact way beyond your borders. That is your privilege, and your burden.
If you choose to use your status and influence to raise your voice on behalf of those who have no voice; if you choose to identify not only with the powerful, but with the powerless; if you retain the ability to imagine yourself into the lives of those who do not have your advantages, then it will not only be your proud families who celebrate your existence, but thousands and millions of people whose reality you have helped transform for the better. We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.
I am nearly finished. I have one last hope for you, which is something that I already had at 21. The friends with whom I sat on graduation day have been my friends for life. They are my children's godparents, the people to whom I've been able to turn in times of trouble, friends who have been kind enough not to sue me when I've used their names for Death Eaters. At our graduation we were bound by enormous affection, by our shared experience of a time that could never come again, and, of course, by the knowledge that we held certain photographic evidence that would be exceptionally valuable if any of us ran for Prime Minister.
So today, I can wish you nothing better than similar friendships. And tomorrow, I hope that even if you remember not a single word of mine, you remember those of Seneca, another of those old Romans I met when I fled down the Classics corridor, in retreat from career ladders, in search of ancient wisdom:
As is a tale, so is life: not how long it is, but how good it is, is what matters.
Iron Maiden graced Canada with its presence for the first time since 1984 this year. They flew into Regina on Ed Force One (piloted by Bruce Dickinson himself apparently) on the second leg of their Somewhere Back In Time World Tour (the only city in Canada that they hit on the first leg was Toronto). What a kick ass spectacle! We definitely had a more intimate venue than some of the other shows, they didn't need the giant screens that they set up for some of bigger locations. And by a twist of luck (that probably means the luck bubble seriously dropped the ball on something that I don't remember and is now making up for it), we got floor tickets from some of Tam's buddies who couldn't go (I guess that's luck for us, not them, oh well). The stage was Egyptian themed but the backdrop changed for almost every song (mostly Eddie themed, FYI Eddie is IMs zombie-ish mascot guy). There were fireworks, and two kinds of shooting flames, and then more fireworks that looked like shooting flames. Also, during Number of the Beast there was a big goaty looking bobble head beast on the side of the stage. During "Trooper" Bruce dressed up in a red British soldier uniform and ran around with a half burnt Union Jack. "Rime of the Ancient Mariner" (a monster of a song, almost 15 minutes long) featured a backdrop that looked like the deck of a ship and Bruce dressed in a tattered black coat. Then the overhead lights rocked back and forth and multicoloured fireworks exploded from on and above the stage. And when they played "Iron Maiden" a giant mummy came out of a huge Egyptian-style Eddie bust that opened up! Also, during the encore when they played "Clairvoyant" a 15 foot tall Cyborg Eddie came out and wandered around the stage. Then he left, I'm pretty sure he was defeated with metal or possibly awesomeness.
Set list (courtesy of Blabbermouth.net because like I'll be able to remember that): Set List: 1. Churchill's Speech / Aces High (from 'Powerslave' – 1984) 2. 2 Minutes to Midnight (from 'Powerslave' – 1984) 3. Revelations (from 'Piece Of Mind' – 1983) 4. The Trooper (from 'Piece Of Mind' – 1983) 5. Wasted Years (from 'Somewhere In Time' – 1986) 6. The Number of the Beast (from 'Number Of The Beast' – 1982) 7. Run to the Hills (from 'Number Of The Beast' – 1982) 8. Rime of the Ancient Mariner (from 'Powerslave' – 1984) 9. Powerslave (from 'Powerslave' – 1984) 10. Heaven Can Wait (from 'Somewhere In Time' – 1986) 11. Can I Play With Madness? (from 'Seventh Son Of A Seventh Son' – 1988) 12. Fear of the Dark (from 'Fear Of The Dark' – 1992) 13. Iron Maiden (from 'Iron Maiden' – 1980) Encore: 14. Moonchild (from 'Seventh Son Of A Seventh Son' – 1988) 15. The Clairvoyant (from 'Seventh Son Of A Seventh Son' – 1988) 16. Hallowed Be Thy Name (from 'Number Of The Beast' – 1982)
The best videos I could find while still keeping the search to 10 minutes or less were by this guy who went to the concert in California in May. But it's about the same. Here's the end of "Iron Maiden" when the mummy comes out:
Here's the song Clairvoyant when Cyborg Eddie comes out:
Thy sauce is the light of the Universe. Chickens! wholeheartedly supports this church's great works as an accepting religious group that promotes respect for other ideologies and viewpoints (including scientific ones) while at the same time being inclusive and forthcoming about their own beliefs. In fact several of their promotional materials embrace science as a sister in the search for truth and enlightenment, an appealing point to fence-sitting FSM followers like myself (I have reconciled my various issues within my soul and I am at peace with our carbohydrate-laden Lord the Flying Spaghetti Monster). I urge everyone to peruse the (purely coincidental) hilarious promotional materials available on the FSM website including the many testimonials from scientists. Keep up the good work! Any church that has pirates and omnipotent pasta as it's major icons is OK by me! This ought to hold me until I eventually formalize my own religion (it's a work in progress).
An aside to those that be hatin': I would hope that no Pastafarian would be caught dead producing such barely literate hate material as has been sent to the FSM website that can be found in its "hate mail" section. The savory goodness that is His way should leave no room for such crunchy burnt bits of hatred, only tasty morsels of understanding layered with respect for others and frank, constructive, and open discourse (mmmm...franks). Much of the controversy is associated with the highly debated letter to the Kansas school board on the subject of the inclusion of ID ideas in the scientific curriculum and the potential changing of the definition of science.
p.s. Unfortunately I didn't have the full pirate regalia prescribed by the FSMChurch to be worn at all times when educating the masses about our great and able noodley master but I felt the message was too important to wait until I could get a pirate hat. Rest assured that I said "Arrr!" repeatedly while writing this post which I hope will serve to curtail His saucy wrath. Fight global warming! Become a Pirate!
From the Journal of Irreproducible Results (the science humor magazine). This graph won first place in Funniest Graph competition. The winner of the funniest graph already published was a part of this hilarious open letter to the Kansas School Board. The graph highlights the "statistically significant inverse relationship between pirates and global temperature".
It's like archaeology but not old and someone tells you where the artifacts are (and still you can't find it sometimes!). Geocaching: the world is our playing field. Yeah I know it's dorky but it's the fun kind of dorky and you get to play outside and look for treasure. There are worse cults to belong to I suppose, plus you can limit your dorkiness to a minimum by not getting super intense about the whole thing. Just remember that every outing doesn't have to turn into an excuse to geocache and just because a new cache goes up on the website at 3am doesn't mean you have to go out and find it at that time! Yeesh! However, it is kind of interesting and fun to know that these things are cleverly (or less cleverly) hidden all over the place and only a few people know about it.
Geocaching has been around for 8 years now, the very first geocache was placed on May 3, 2000, just 2 days after the removal of Selective Availability from the Global Positioning Sytem. The improved accuracy of the GPS allowed for a small container to be specifically placed and located by the public. While geocaching is generally harmless it has sometimes caused problems for local law enforcement, bomb scares and such, when geocachers fail to clearly identify their caches or when they are caught acting shifty. It's a fine line between trying not to tip off "Muggles" (geocaching slang for people who don't geocache - dorkiness clue#1) as to the locations of caches and looking like drug dealers/terrorists. Case in point: the 24-hour geocaching event participated in by a large group of geocachers in Saskatoon this weekend. We were alright during the day but from about 11pm to 4am I am pretty surprised we weren't stopped and questioned. I guess we don't make a very threatening picture even if we are skulking in the bushes in deserted parks at 2am. On the whole I would say great time and I would totally do it again.
Here is a good glossary of terms with all the common abbreviations. Check out geocaching.com if you are curious about geocaches in your area. Join the cult! One of us! One of us!
Above:View from near the first cache we found on our 24hour geocaching odyssey.
Tito Puente, Sr., (April 20, 1923 – May 31, 2000) was born Ernesto Antonio Puente, Jr., in Spanish Harlem in New York City. Also known as "El Rey" of the timbales and "The King of Latin Music" he was highly influential in the world of music and helped many young people become great musicians.
He also appeared in the "Who Shot Mr.Burns?" two part episode:
Lyrics to Tito's slanderous Mambo (about 8:30 minutes in): Wounds won't last long, but an insulting song Burns will always carry with him. So I'll settle my score, on the salsa floor with this vengeful Latin rhythm. Burns! Con el corazon de perro! Señor Burns! (Baa Ba Duh Ba Baaaa) El diablo con dinero! It may not surprise you, but all of us despise you. Please die and fry in hell, you rotten, rich old wretch! Adios viejo!
Captain McShanty's N'oh!-Fun-4-U Bureau of Censorship and Superfluous Roadsigns rating MF (notes: no yelling but caution for mild math-related cartoon violence).
Thanks to D and T for a sweet birthday concert! It was Killswitch Engage with The End, Throwdown, and Poison the Well (click the links for lists of upcoming shows and play/download some of their songs). Killswitch wasn't selling CDs (I hate it when bands don't sell their CDs at concerts, it puts a damper on my collection). So I got Poison the Well and The End's new CDs. I didn't know anything of them before now but the CDs are actually quite good. In truth the The End CD was a pity purchase because the guy was cute. Also they gave me a free sticker. Anyway, we had been sitting down mostly for the openers because it was hotter than the hubs of Hades in there (I miss winter). But we went down into the throng for Killswitch. They had so much energy and everyone was feeding off of it. The lead singer (Howard Jones) is so chipper. He and the crazy guitar player (Adam Dutkiewicz) play off eachother very well. I jumped up and down and hollered until I was hoarse. That's what it's all about man! Plus, we are managing to drag another one down into the fold with us (One of us! One of us!), so everybody wins. It was so hot and humid in there that everyone was soaked! It was nice to get outside at the end too, a guy was handing out free promotional CDs which had some good songs on them. Hurray!
This Music in History (mini): Holy Diver Ronnie James Dio's album Holy Diver, released in 1983, has been widely touted as his best work. A video game based on the title song was released in Japan for Nintendo in 1989 but curiously was never released in North America (I wonder how big Dio was over there?). Other video game appearances include the soundtrack to Grand Theft Auto: Vice City Stories and as one of the tracks on Guitar Hero Encore: Rocks the 80s. Other bands have covered the song with much less success than Killswitch, mostly in live-only performances, including Otyg, Sum 41, Sons of Butcher, Children of Bodom, and Tenacious D. Pat Boone had it on an album but it was with Dio so it doesn't count. KillswitchEngage's cover of Holy Diver first appears on the compilation album High Voltage!: A Brief History of Rock done for Kerrang! magazine. It was their first Billboard top 20 single. It was released as a single in 2007 and appears as a bonus track on the 2007 re-release of the As Daylight Dies album. Killswitch played this as their encore song at the concert (I think, either that or the last song before the encore. Help me out here guys). Which was sweet! The music videos for both versions of the song are hilarious. Killswitch gives comical props to Dio in their version but I'm pretty sure Dio's wasn't meant to be funny.
Artist: Killswitch Engage Album: As Daylight Dies (2007 re-release)
Artist: Dio Album: Holy Diver Year: 1983
These videos rated MF (Mom Friendly) by the Captain McShanty's N'oh!-Fun-4-U Bureau of Censorship and Superfluous Roadsigns (notes: a little bit of yelling in the Killswitch video but it's OK, extra points for whimsical fantasy based theme).
p.s. If you are curious here is Otyg's version of Holy Diver.
You may recall in a previous post I discussed viral videos. I mentioned the Obama girl video which has garnered widespread publicity and been featured in various media and TV shows (like on SNL). Well, U.S. Democratic candidate Mike Gravel decided to use this to his advantage, with hilarious results.
Captain McShanty's N'oh!-Fun-4-U Bureau of Censorship and Superfluous Roadsigns rating MF for Mom Friendly (notes: caution for sexually suggestive scenes containing politics).
Apparently there are more than just Hilary and Obama...who knew? Mike Gravel is cool because his parents were French Canadian immigrants. I think it is great when politicians not only have a sense of humour but are savy enough to use pop culture and alternative media to their advantage. Of course any Canadian politicians worth hearing about have all been on Rick Mercer and things but it's not just TV anymore. Maybe we need to see Stéphane Dion doing a politically relevant remake of the Soulja Boy dance? It's an if ya can't beat 'em, join 'em scenario, especially in the U.S. race where the populace gets 2-candidate tunnel vision. Off course the argument is that that takes us away from the actual political issues and makes it a popularity contest. But wait! That argument is stupid because it's already mostly about emotions and religious values anyway (see last two U.S. presidential elections), might as well make it about popular comedy and satire too. In a world where the majority of the public under the age of 35 get all their political info from the Daily Show I think it is for the best. At least then actual political issues might sneak in to the decision making process. Anyway, these series' of funny/sexy/political videos were brought to you by BarelyPolitical.com. They have a really funny promo clip here (continued on D12!? What!?).
p.s. I recently asked little CP about what was up with the massive popularity of that stupid Soulja Boy song and she said it was because of the dance. Can anyone say "Macarena"?
I screamed myself hoarse at this one boy. We showed up as Children of Bodom was playing (I got their CD) and then there was In Flames. Both of them were awesome but a curiously subdued crowd cheered for In Flames, there was no mosh pit or anything. Weird. It may have been the interesting mix of young'uns (due to the all ages rating) and old'uns (due to the Megadeth). Anyway, I also got a signed United Abominations CD so it was a pretty good haul for the collection this time. The only complaint I had with the concert was that it was difficult to hear Dave Mustaine most of the time. "À Tout le Monde" and "Sweating Bullets" were notable exceptions, which is good because I like those songs but bad because there were other songs I liked that I couldn't hear the lyrics.
Fun trivia to learn and know: Megadeth is the second most commercially successful metal band of all time, second only to Metallica. Dave Mustaine has a long standing hate on for Metallica due mostly to his unceremonious ousting from the band's ranks (because of his alcohol abuse) after just 2 years of membership. Within the year he founded Megadeth and signed with Combat Records. They then proceeded to release 21 albums (and some other singles and soundtracks and things) as Dave battled with various spates of drug addictions until he hurt his arm by sleeping on it funny while undergoing treatment for kidney stones and disbanded the band for a few years because he didn't really like those guys anyway and explored some other projects like remastering Megadeth's albums for Capitol Records and making his own brand of guitar only to become a born again Christian while undergoing physiotherapy for his hurt arm - *breathe*. He rebanded Megadeth with a new lineup in 2004 and in 2005, Dave launched "Gigantour", the travelling North American metal show named after a robot called "Gigantor" (from a favorite cartoon of his when he was wee). And that just about brings us up to date, history is fun. p.s. I suspect that very soon a video (or two) of the concert will show up on YouTube so I'll keep an eye out. Also, check out Gigantour prequil posts here and here. We ended up missing High on Fire and Job for a Cowboy but that's OK. Dave Mustaine called them "Job for a Cowgirl". Ha!
p.p.s. Remember to check out this old post by Madman about United Abominations.
The Phantom of the Opera's only stop in Saskatchewan and last stop in Canada. This was my first time seeing Phantom (I haven't even seen the movie), also it was my first live opera. Anywho, I thought it was delightful. I like the songs and it was a good story and it had neat sets. We were in the second balcony so I don't think we got the full effect of the falling chandelier but we saw the sneaky phantom when he was hiding above the stage and in the hanging angel thing. The picture to the left is of the spotlight that they were shining on the Hilton hotel (click to embiggen it).
Phantom of the Opera Artist: Nightwish Album: video from "End of an Era" live concert but an alternate version appears on the album "Century Child" Year: 2002
You created me, Mom so I guess you're to blame For the love that I feel just from hearing your name. You're as tender as corned beef and as warm as pastrami ... "I wuv my Mommy!"
Mistakes Were Made...By Others! Why do people dodge responsibility when things fall apart? Why can’t political figures own up to their blunders? What’s behind so many domestic fights? The distinguished social psychologist Elliot Aronson tells us about the power of cognitive dissonance.
You may recall my extolling the virtues of this book on this post. You don't have to subscribe to the podcast you can download the mp3 or listen to it here. It is about an hour long but it is really interesting and describes many of the key points in the book, how cognitive dissonance works, and some of Aronson's history and educational anecdotes. Thanks to Dr.E for the heads up! I was driven to subscribing to a couple of other CBC podcasts too (DNTO and Quirks & Quarks). I'm just waiting for the podcast of Age of Persuasion to go online (this show used to be called "O'Reilly on Advertising") which we used to listen to at the bakery on Saturdays. A lot of good discussions revolved around the random spoutings of the CBC radio while making bread and donuts back in the day. Hurray for supporting Canadian broadcasting!
See? This is what blogs are good for. We were reminiscing about the infamous train trip to Kingston from almost two years ago and I said I would post about it. You did such a good job talking about it that I really don't have too much to add (that's some nice blogging). Such warm fuzzies. Good times. Like that time you hit the referee with a whiskey bottle. Remember that? When you hit the referee? Yeah. Awww.
p.s. Whilst looking through Carrie's blog to find the link for her llama llama post for my April fool's day thing I came across this. I know you said you were thinking of reposting it but you're just too slow. Ha! I promise I'll change this post to reflect it if you do repost though.
