Cultural Moment: The Marriage of Figaro (and more!)
Well it's time to start dragging Wade to some sweet, sweet cultural moment worthy events! This weekend he saw his first opera, The Marriage of Figaro, at the Remai Arts Centre (aka. The Persephone Theater). A fantastic opera! Live orchestra, great singing and loved everyone's voices and interpretations of the music and roles. Plus lots of leg room! Good stuff! Even Wade liked it!
The Marriage of Figaro is a pretty nice intro to opera I think. It has a funny story, one or two songs that are recognizable from pop culture, and is one of the few operas where no one dies. Although Wade pointed out that that is how you know when an opera is over...when there are no more characters left. Ha!
Officially, "Le nozze di Figaro, ossia la folle giornata" (The Marriage of Figaro, or the Day of Madness), K. 492, is an opera buffa (comic opera) composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a 1784 stage comedy by Pierre Beaumarchais ("La folle journée, ou le Mariage de Figaro"). The play itself ended up being banned because of it's satirical view of the aristocracy (a no-no in the pre-French Revolution days) but the opera is considered one of Mozart's most successful works (and that's saying something!).
The opera was written in Italian but takes place in Spain near Seville. Actually, the opera is part 2 in the adventures of Figaro as it continues on two years after the events in "The Barber of Seville" (actually there were three Beaumarchais plays about these same characters, the third being "The Guilty Mother"). The Barber of Seville was also turned into an opera by multiple people (not Mozart) although the most famous version wasn't done until 1816. That's the version used in "The Rabbit of Seville". Love that! But I digress...
The overture from The Marriage of Figaro is probably the most recognizable (often played separately as a concert piece), although the music isn't featured within the opera itself. You may remember the overture from the 1983 Dan Akroyd & Eddie Murphy movie "Trading Places", in which it forms the opening theme music over the intro scenes.
Lovers of the film The Shawshank Redemption may also remember the duetto (a short duet) piece between the Countess and Susanna from Act 3 called "Sull'aria...che soave zeffiretto". In it the Countess (singing first) dictates a fake love letter to her husband, the Count, in a zany plot to expose his intended infidelity with Susanna (the Countess's maid and Figaro's fiance). Not sure if that is "something so beautiful it can't be described in words". More amusing than beautiful and, in fact it is described in words...they're just Italian words.
Anyway, the story for Marriage of Figaro comes of as pretty convoluted (and it is) when you try to explain it but trust me it's easy to follow when you're there (if they have the subtitles that is). But, here goes: Figaro (the Count's valet) and Susanna (the Countess' maid) are engaged. The philandering Count has the hots for Susanna and "wants to get all up in that" (but the Count and Countess still love eachother and everything). The count has a page named Cerubino who keeps getting in trouble because he loves love too much and it incites the Count's enraged jealousy (repeatedly, it's a running gag). Also, Marcellina, an old chick that Figaro owes a significant sum of money, wants to marry Figaro and gets Dr.Bartolo (who hates Figaro from back in "The Barber of Seville") to help her with the legal matters. It seems Figaro can either pay her or marry her. But it turns out that Figaro is Marcellina and Bartolo's bastard love child so that doesn't pan out, which makes the Count mad because he's been trying to thwart Susanna's marriage to Figaro due to his aforementioned desire to tap that. Mayhem ensues, but eventually they trick the Count into thinking that he's meeting Susanna in the garden for a tryst, but really the Countess meets him there. And he's sorry for his alternating adulterous/jealous ways and will never do it again and everyone is happy. Yay!
On the whole I recommend it highly. Especially since it was good enough to get Wade to concede to seeing another opera!
p.s. To Wade: Yes you did!
p.p.p.s. Last summer my annual opera outing with Talina was La Traviata. But last year was a bit of a wash blog-wise as I was super busy with new job and romance and what-not. That in no way reflects on the quality of La Traviata, as it was delightful, but I've decided not to pretend I have a time machine and I'm going to start fresh with new stuff. But for the record, thumbs up on La Traviata! And I reserve the right to pretend I have a time machine in future if I ever come across the program and it reminds me.
p.p.s. I also dragged Wade to the ballet (Swan Lake) in Regina last winter. Which should also have been a cultural moment post (refer to p.s. above about starting fresh). It was pretty cool as Wade had never been to the ballet before, but it was unfortunate because the performance wasn't the best I've seen. Made worse by the lack of live music and the so-so supporting cast of dancers. But still enjoyable, I may just be becoming a snob.
