
This play features three interlocking plots sandwiched between opening and closing scenes relating to the celebration of the wedding of Theseus of Athens and the Amazonian queen Hippolyta. Primarily, we have the love quadrangle between Hermia, Lysander, Helena, and Demetrius. Hermia and Lysander are in love but Hermia's father Egeus wants her to marry Demetrius. Demetrius loves Hermia but she doesn't love him and Hermia's best friend Helena loves Demetrius but he doesn't love her. What jolly farce! We also have the story of Oberon and Titania, the fairy king and queen. They are in town for Theseus and Hippolyta's wedding but are estranged because Titania won't give her page-boy to Oberon to be his minion because the boy is the son of one of her peeps who died. Oberon wants to go upside her head for being so feisty so he gets his henchman Puck to get him a love flower so he can make Titania fall in love with something or other and become too distracted to care about her page-boy any more (and also to be used to sort out the four aforementioned fools who are by now chasing each other through the forest at night). This leads us to the third story, that of the "mechanicals" (laborer/peasant folk) who are to put on the play-within-a-play about Pyramus and Thisbe that is to be the entertainment at Theseus and Hippolyta's wedding. While rehearsing, one of the mechanicals, Nick Bottom, shows himself to be an ass and Puck decides to transform Nick's outsides to reflect this and points him at Titania (who was hepped up on love flower by this point). And bestiality ensued. Eventually, once Oberon gets what he wants, he gets Puck to put everything back to normal except that Demetrius is now in love with Hermia so all is well and all the couples get married and the mechanicals perform their play (badly) and there is much rejoicing. The end.
Now, let's talk historical references shall we:

The story of the star-crossed lovers, Pyramus and Thisbe, is from the Roman poet Ovid's epic narrative poem Metamorphoses (the 15 books of this collection of relatively unrelated tales of love, seduction, and history were completed in 8 AD). Among other things, this story explains why mulberries are red. Shakespeare liked this story so much he based Romeo and Juliet on it (which he is thought to have written around the same time as Midsummer Night's Dream). Shakespeare also took the name "Titania" from Metamorphoses, as it was the name given to the daughters of titans. Before this, traditional folklore held that the fairy queen remained nameless. Oberon, however, dates back to 13th century french literature as a fairy dwarf in the "chanson de geste" (transl. Old French - songs of heroic deeds) "Les Prouesses et faits du noble Huon de Bordeaux". As in many fairy tales, this one finds our hero charged with completing various impossible tasks for whatever reason (usually princess related), which he is only able to accomplish because early on in the story he was nice to a magical thing of some sort, in this case a magic dwarf. Other likely candidates for helpful things to befriend in such scenarios include: old people (especially crones), talking animals (also preternaturally smart but mute animals), things that are trapped inside of other things, water creatures that like music (only to be attempted if you have some sort of musical instrument handy), and deceptive earthly incarnations of deities. So keep an eye out for those.
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